website contains more than 6000 pages of Byzantine music in Western and Byzantine notation in the style of chanting used on the Holy
The scope of this project covers the liturgies of St. John Chrysostom,
St. Basil the Great, St. James, and the Liturgy of the Presanctified Gifts,
as well as various doxologies, and hymns for Vespers, Orthros, the Mysteries, and the Menaion. The words of the hymns are provided in
Elizabethan English, Modern English, and Greek. Click on the ten orange
buttons below to access these hymns.
NEW ADDITION: An online tutorial has been added for learning Braille Byzantine Music Notation.
To read more about this project, click on the links in the lower left
of your screen.
"St. Anthony's has done a great service for the church musicians of
our Archdiocese! The Divine Liturgies Music Project is a wonderful and comprehensive
resource that belongs in every chanter’s and choir director’s
library! It opens windows into the ancient hymnology of our Church, and
shows us its beauty and breadth. Its innovative formatting makes the music,
the translations, and the reference materials easily accessible."
—Dr. Vicki Pappas, National Chairman
National Forum of Greek Orthodox Church Musicians
"This is undoubtedly a very important work with great historical significance. This fine book preserves the living, unbroken, 1000-year tradition of Athonite psalmody, which is a steadfast guide to interpreting Byzantine chant. Another great accomplishment of this book is that the genuine melody is written, not just the dry metrophonia."
—Dr. Gregorios Stathis
Professor of Byzantine Musicology and the Art of Chant, University of Athens
"What a wonderful collection of transcriptions! This book will be completely
accessible to the uninitiated, and a wealth of hymnography for the established
cantor. This is truly a good work for the Orthodox Church!"
—Dr. Stephen Butler
Professor of Music, Westmont College, California
"In this prodigious compilation, St. Anthony’s Monastery
has succeeded in bringing the glory of Byzantine hymnology to the English-speaking
world. Previously inaccessible treasures of Byzantine chant have been meticulously
translated and transcribed so that they may become the precious currency
of English-speaking Orthodox parishes, enabling worshipers to partake of
its mystical power. This volume will leave a lasting legacy to the Orthodox
—Dr. Constantine Kokenes
Chanter, Atlanta, Georgia
"What a rich blessing for the Eastern Orthodox Church! This tremendous
spiritual and musicological work, diligently spearheaded by Father Ephraim,
is a monumental labor of love nothing short of a masterpiece, and we recommend
it to all for use in the parishes."
+Father Nicholas Kastanas
Professor of Byzantine Music, Holy Cross Greek Orthodox School
of Theology, Boston
"The growing need for English in the Church services has created
a heartfelt desire to hear and understand the beautiful and meaningful
hymnography of the Holy Orthodox Church, while preserving its Byzantine
musical splendor. Heretofore, the full magnificence of the Byzantine Tradition
of hymnal composition has been inaccessible in its most inspired forms;
thus, it has not been readily available to the choir masters of America,
to convey and share its fullest expression with their choirs and congregations.
Both the translational acuity and its harmoniously metered accompaniment
have been non-existent in any uniform and consistent form. By providing
for both of these aspects, St. Anthony’s Monastery has accomplished
a monumental work. Moreover, it has bridged the Western notation with
the Byzantine Tradition of hymnal composition in its finest forms of expression,
musically uniting the American Church with the Holy Liturgical Tradition
of the Great Church of Christ. By far, this work offers the most complete
spectrum of Ecclesiastical music, thus enhancing the musical library of
any choir master."
+V. Rev. Protopresbyter George Passias
Former Chancellor of the Greek Orthodox Archdiocese of
"I would like to congratulate you for the excellent idea you had
to write this very important scholarly work in Western notation. I believe
this book will enable people to interpret Byzantine ecclesiastical hymns
with the necessary analyses of Byzantine psalmody. Thus it will be a treasured
aid for all who do not know Byzantine music but are interested in chanting
its sacred hymns."
—Professor Photios Ketsetzis
The Archon Protopsaltis of the Greek Orthodox Archdiocese of America
"St. Anthony’s has produced here a massive work of great scholarship.
Their great love for the subject matter is evident in every page. A great
variety of styles and every important exponent of this sacred art are
well represented here, making the present volume a very useful tool. Our
faithful, especially our youth, need to be exposed to authentic Orthodox
liturgical arts, such as iconography and traditional Byzantine chant.
The present much-needed work comes to fill this gap. I endorse it wholeheartedly.
I pray that our churches in this country make extensive use of this veritable
treasure of Orthodox liturgical music to the glory of our Triune God."
+Archimandrite Ignatios (Apostolopoulos)
"For the Orthodox, prayer and teaching find their best expression
in the Church’s liturgical worship. Byzantine services invite the
faithful to assemble in community and to venerate God through word, gesture
and song. And it is for the song of the Church that this CD has been produced.
The hymns here, set to English, constitute a treasure of the most authentic
tradition of Orthodox music. Their availability in staff notation makes
these venerable melodies available to congregations and choirs throughout
the western world. These age-old chants, especially preserved on Mount
Athos, bear a relevance and a beauty that is unmatched by other, later
—Dr. Dimitri E. Conomos
Byzantine Musicologist, Oxford University, England
"The Divine Liturgies Music Project is an incredible effort to facilitate
the use of Byzantine Music in the English context. You are to be congratulated
for your insight and for a crucial and pivotal contribution that is timely
and of high importance to Orthodoxy."
—Dr. Nick Giannoukakis
Protopsaltis of the Metropolis of Pittsburgh, Pennsylvania
"This collection of Byzantine liturgical music represents a great accomplishment
in the young life of the Orthodox Church in America. The metered English
translations, set to melodies from the greatest masters of Byzantine hymnology,
make the inaccessible obtainable and the cryptic readable. This work, an
outstanding effort by St. Anthony’s Monastery and one undoubtedly
blessed by God, will bear marvelous spiritual fruits in our country and
—Dr. Gregory Esper
Chanter, Boston, Massachusetts
"This book is a welcome contribution to our liturgical landscape
'in sound.' It will doubtless serve to remind us of the many core concerns
that should help chart a future for sacred music in our midst. Practitioners,
theoreticians, and historians of all backgrounds—whether unison 'Byzantine'
or harmonized 'Russian'—will find the publication useful in their
search for a better command of the riches of age-old Orthodox church melos."
—Dr. Nicolas Schidlovsky
Professor of Music at Westminster Choir College, Princeton, New Jersey
"If Orthodoxy is ‘the best kept secret in America,’ then
what shall we say of Byzantine chant? Particularly for converts to Orthodoxy,
who are so zealous to embrace the fullness of the Christian faith in all
its sublimeness and intoxicating beauty, Byzantine music has until now remained
imprisoned in elusive little books full of unfathomable symbols. All who
treasure the preservation and proliferation of traditional Orthodox music
owe a profound debt of gratitude to St. Anthony’s Monastery for unlocking
the gates of Byzantine chant to our Western mind."
—Rachel Van Camp
Choir Director, Richmond, Virginia
"A truly impressive and most useful book of Post-Byzantine chant in
Western notation. I most enthusiastically recommend this very user-friendly
collection to all church musicians in the Orthodox Church."
—Dr. Tikey Zes
Professor Emeritus, San Jose; Author of Liturgy, Unison Liturgy and
"We applaud and are indebted to St. Anthony’s Monastery for transcribing
this magnificent, liturgical gold mine of Byzantine hymnology for the English-speaking
world. It will certainly be a treasure not only for chanters and choirs
of our Holy Orthodox Church, but also for the faithful whose worship-life
will be enriched and deepened."
—Presvytera Stacey Dorrance
of the EIKONA Chanting Trio, Portland, Oregon
(EIKONA has produced a Divine Liturgy CD using music from our website)
"This presentation of a stylistically broad range of 'classic' and
recently composed Byzantine chants is particularly valuable, providing those
acquainted only with staff notation a 'snapshot' of liturgical singing in
—Dr. Alexander Lingas
Artistic Director of Capella Romana, Phoenix, Arizona
"This Divine Liturgy Hymnal is an inspired effort that will
serve as a wonderful resource for church musicians to learn and incorporate
Byzantine Chant into their Church services."
Professor of Music, Santa Barbara, California
"As someone without formal training in either Byzantine or
Western music, I find this music easier to read than other publications.
I also appreciate this work, because having the hymns written out analytically
in Western notation is teaching me more about the implied intricacies of
Byzantine notation. Now I can interpret Byzantine notation better, because
I am putting the embellishments that I hear into practice."
—Reader Vasileios Tomaras
"The Divine Liturgies Project is a significant and monumental production, authored by dedicated professionals who have made it their vocation to serve the body of the church through ecclesiastical music." (Quote taken from his book review of this project in PHRONEMA)
—Fr. Gerasimos Koutsouras
Former Protopsaltis, St. Andrew's Greek Orthodox Theological College, Australia
Website last modified:
August 26, 2010